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Susan's Story... My ancestors hail from the Emerald Isle, but we weren't your typical Irish-American family. Mom was a lapsed Catholic, Dad's folks had gone Protestant a couple of generations back, and he was a teetotaler to boot. And not one of us kids took step-dancing lessons. True, I was attuned to the Celtic vibe, but Scotland, not Ireland, was my thing. When I was seven, my dad went to Edinburgh on some kind of fellowship, and brought back a doll for me, resplendent in Highland attire. Really, this lassie made Barbie pale in comparison. Dad also brought home a record of Scottish reels, which had me prancing around the house in my best try at a Highland fling. Then, when I turned twelve, I discovered Sean Connery and his Scottish brogue. For me, it was Scotland Forever! Around the time I was mooning over Sean, I deserted my repeated readings of the Little House books and Little Women for something a bit racier: Gone with the Wind. Scarlett and Rhett, Margaret Mitchell's unforgettable Irish-American hero and heroine, had given me something new to swoon over. Suddenly, I thought it was totally cool that I was Irish on both sides of the family. Fast
forward twenty years
I started my first piece of creative
writing ever, a novel. It was a romance with a tortured hero
and a haunted heroine, who happened to be Irish-American. After
finishing the book, I continued to write love stories, each one
darker and angstier than the last, but I hadn't quite found my
groove. Not long after I remarried -- to a guy who had Irish ancestors too! -- I stumbled upon Maeve Binchy's novels, and couldn't get enough of her Irish voice. The same year, my daughter and mom visited Ireland, including a brief sojourn in County Monaghan, where Mom's people are from. They came back with a treasure trove of photos, guidebooks, and Irish knickknacks, and Ireland was back on my radar screen in a big way. Soon after, I went to see Edna O'Brien, the famed Irish writer, at the local bookstore, and she spoke of the "vast, ancestral loneliness" of the Irish. I would have written off the phrase as writerly affectation, but it actually struck close to home: my dad was a man who craved solitude, the kind who "keeps himself to himself." Well,
it was a Perfect Storm of Irishness. But the true tipping point
was the evening I was listening to "Thistle and Shamrock"
on the radio. As an Irish tune came on the air, a mournful ballad
about the sorrows of emigration, tears came to my eyes, and I
got a shiver up my spine. These were my people in the song. Could
there be an Irish voice inside me? next |
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